Showing posts with label Billy Collins. Show all posts
Showing posts with label Billy Collins. Show all posts

Tuesday, May 15, 2012

A Big Ol' Goose Egg




The other day, my student Matthew asked me if I like eggs.  When I replied that I did, he told me he'd bring me some goose eggs since his neighbor had a goose and would give him more eggs than Matthew knew what to do with.  (Some people have all the luck!)  The next day he gave me four goose eggs.  I had never seen one before; pickled duck eggs and canned quail eggs are about as exotic an egg as I've ever had.  When I took it out of the bag, I was amazed by its size.




It's funny how little it takes to throw our sense of perspective out of whack.  One goose egg is about the equivalent of 2-3 chicken eggs and though I eat chicken eggs all the time, I didn't know quite what to do with these guys so I asked around and the most common answer was to scramble them, so that's what I did.  I added a little milk, some salt and pepper, and scrambled them up, then put them in tortillas with some sauteed mushrooms and greens.  The flavor was mild and tasty and surprisingly, not so different than chicken eggs.  I did do a little more sleuthing about on the Internet to see what other things people did with goose eggs and came across this British site called Clarence Court that sold goose, duck, turkey, rhea, and ostrich eggs to name just a few.  They also have a really great recipe index with such interesting sounding dishes such as "Deep fried turkey egg with Asian herbs" or "A bloody good egg nog."  Maybe next time around.




To end, I thought I'd share another Billy Collins poem, this time about perspective and how one thing can change our whole point of view:

Bonsai

All it takes is one to throw a room
completely out of whack.

Over by the window
it looks hundred of yards away.

a lone stark gesture of wood
on the distant cliff of a table.

Up close, it draws you in,
cuts everything down to its size.

Look at it from the doorway,
and the world dilates and bloats.

The button lying next to it
is now a pearl wheel,

the book of matches is a raft,
and the coffee cup a cistern

to catch the same rain
that moistens its small plot of dark, mossy earth.

For it even carries its own weather,
leaning away from a fierce wind

that somehow blows
through the calm tropics of this room.

The way it bends inland at the elbow
makes me want to inch my way

to the very top of its spiky greenery,
hold onto for dear life

and watch the sea storm rage,
hoping for a tiny whale to appear.

I want to see her plunging forward
through the troughs,

tunneling under the foam and spindrift
on her annual, thousand-mile journey.

--Billy Collins, Picnic, Lightning

Thursday, February 23, 2012

Happy Birthday Dear Sieve

Photo by Eveline Ip

It's hard to believe but A Sieve Like Mine turns one today!  When I started this blog, I had some inkling that it would be a useful place to lodge some of the ideas, readings, and images that I encounter in my daily life, but I didn't realize that it would also be a place of discovery as well.

Some of the things that I've realized or reaffirmed along the way:

1. Writing is an act of discovery.  I may begin with an idea of what I want to write or even just an image I want to post and then realize that there are lots of associated ideas that have been floating around in that soupy amorphous subconscious o' mine which then emerge onto the page and sometimes even make sense!  And sometimes when I look through some of my photos for a related image, I realize that perhaps we're less random creatures than we think.

2. Language matters.  When I was in college, I went through a period where I paid attention intensely to the world around me and would scribble down little observational poems on napkins at cafes or wherever.  It makes sense given that I was an English major and was doing a lot of reading and study of literature and poetry at that time.  Over the years, though I still enjoy reading good literature, I have gravitated more towards reading non-fiction and focusing on ideas rather than the language used.  So when I first noticed that "poetry" is the first thing that comes up in my cloud of tags, I was surprised.  I don't consider myself a poet or even much of a wordsmith, but like anything else, the more you pay attention, the more you see.  So that's been a lovely discovery.

3. I am shallow.  I know there's a lot of blogs out there that focus on just one thing (the appearance of a lowercase L on a sign that is otherwise all capitalized, for example) and that enables the writer to really explore that one topic in depth and to create a community of folks that all eat, live, and breathe cooking, design, photography, travel, etc., and I love reading those blogs.  However, I get bored much too easily with just one topic.  Some people like to go deep; I guess I'm just really shallow.  And that's okay with me because this fits my 2012 goal of having no deep thoughts.  (My co-worker Keith thinks that I'm thinking too highly of my 2011.)

4. Humor matters.  Humor is my second most used tag, which makes me happy because if I'm going to take the time to write a blog, at least it can amuse me and my one follower (yay, Ingrid!).  In honor of Sieve's birthday, I'm combining my top loves, poetry and humor, and presenting two Billy Collins poems.  I can't believe that in a year, I've only posted one of his poems.  But that's alright; these two poems on forgetfulness are perfect for Sieve's one year birthday.  This is one of my favorites lines from his poem about forgetting the lines of a poem he meant to write: "they are gone forever, a handful of coins dropped through the grate of memory"--he gets the sieve!

Lines Lost Among Trees

These are not the lines that came to me
while walking in the woods
with no pen
and nothing to write on anyway.

They are gone forever,
a handful of coins
dropped through the grate of memory,
along with the ingenious mnemonic

I devised to hold them in place –
all gone and forgotten
before I had returned to the clearing of lawn
in the back of our quiet house

with its jars jammed with pens,
its notebooks and reams of blank paper,
its desk and soft lamp,
its table and the light from its windows.

So this is my elegy for them,
those six or eight exhalations,
the braided rope of the syntax,
the jazz of the timing,

and the little insight at the end
wagging like the short tail
of a perfectly obedient spaniel
sitting by the door.

This is my envoy to nothing
where I say Go, little poem –
not out into the world of strangers’ eyes,
but off to some airy limbo,

home to lost epics,
unremembered names,
and fugitive dreams
such as the one I had last night,

which like a fantastic city in pencil,
erased itself
in the bright morning air
just as I was waking up.

--Billy Collins, from Picnic, Lightening

Forgetfulness

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue,
not even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.

--Billy Collins from The Art of Drowning

To find out more about this funny and profound man, check out Billy Collin's interview.  My friend once described him as the Seinfield of poets, which methinks is an apt analogy.  I especially love how he says in this interview that when he's writing, "I’m speaking to someone I’m trying to get to fall in love with me."  I told my students to give that a try next time they're writing a paper for class.

Thursday, November 17, 2011

A Comic Warning to Gather Ye Rosebuds While Ye May


It's that time of the year when people tend to take stock and exclaim, "I can't believe it's almost 20--!" or in my case, "I can't believe it's not 1998!"  When we begin a new year, for the first few weeks for some strange reason, I tend to revert back to the 90s when writing dates.  Clearly I have issues but apparently I'm not the only one as this meme clearly shows:


I can't believe there's even a FB page centered around that sentiment.  Ahem!  The following poems encourage us not to put off that trip you've been meaning to take, the call you've been meaning to make, the issue you've been wanting to take care of, to take notice of the beauty around us, because you just never know what might happen.  Instead, let's "kiss the earth & be joyful/ & make much of your time/ & be kindly to everyone/ even to those who do not deserve it" (and believe you me that last one is hard!) and enter 2012 without all those shoulda/woulda/coulda's.


Notice
This evening, the sturdy Levi's
I wore every day for over a year
& which seemed to the end
in perfect condition,
suddenly tore.
How or why I don't know,
but there it was: a big rip at the crotch.
A month ago my friend Nick
walked off a racquetball court,
showered,
got into this street clothes,
& halfway home collapsed & died.
Take heed, you who read this,
& drop to your knees now & again
like the poet Christopher Smart,
& kiss the earth & be joyful,
& make much of your time,
& be kindly to everyone,
even to those who do not deserve it.
For although you may not believe
it will happen,
you too will one day be gone,
I, whose Levi's ripped at the crotch
for no reason,
assure you that such is the case.
Pass it on.
--Steve Kowit, from The Dumbbell Nebula (2000)

Picnic, Lightning
"My very photogenic mother died in a freak accident (picnic, lightning) when I was three."--Lolita
It is possible to be struck by a meteor
or a single-engine plane
while reading in a chair at home.
Safes drop from rooftops
and flatten the odd pedestrian
mostly within the panels of the comics,
but still, we know it is possible,
as well as the flash of summer lightning,
the thermos toppling over,
spilling out onto the grass.
And we know the message
can be delivered from within.
The heart, no valentine,
decides to quit after lunch,
the power shut off like a switch,
or a tiny dark ship is unmoored
into the flow of the body's rivers,
the brain a monastery,
defenseless on the shore.
This is what I think about
when I shovel compost
into a wheelbarrow,
and when I fill the long flower boxes,
then press into rows
the limp roots of red impatiens--
the instant hand of Death
always ready to burst forth
from the sleeve of his voluminous cloak.
Then the soil is full of marvels,
bits of leaf like flakes off a fresco,
red-brown pine needles, a beetle quick
to burrow back under the loam.
Then the wheelbarrow is a wilder blue,
the clouds a brighter white,
and all I hear is the rasp of the steel edge
against a round stone,
the small plants singing
with lifted faces, and the click
of the sundial
as one hour sweeps into the next.
--Billy Collins, Picnic, Lightning (1998)

Monday, March 14, 2011

Sexy Cow and Lines Lost Among Trees

My co-worker Beth who's truly a Drama Queen (she teaches drama) has a line she uses with her sketch comedy class:

"If you're going to put a sexy cow on stage, you'd better be prepared to f--- it."

I first became aware of this quote when one of our mutual students put this quote in his end of the quarter reflection letter, where he was supposed to discuss what things he'd learned over the quarter, blah, blah, blah. Now he wasn't the most articulate of writers so I didn't quite get why he used Beth's quote but later on, I asked her about it and the situation was that she had Daniel in her sketch comedy class and in one skit, some of the students put a sexy cow on stage but were too shy to do the dirty deed on stage. They begin going off stage when Beth screeched the unforgettable sexy cow line.

I recently read in a NY Times article entitled "Sexy Ruses to Stop Forgetting" that the best way to help with memory retention is to visualize whatever it is that you are trying to remember. And "exotic, erotic, and exciting visualization is best" says author Joshua Foer.

So as we were again discussing reflection letters at the end of this quarter and the importance of following up on one's ideas, a decidedly unexotic, unerotic, and unexciting topic, the sexy cow came to mind. Students would drop lines like "This is not the first college I attended. I also went to Walla Walla University for awhile before going to work at Taco Bell. Then I came here" and not follow up. Now I'm not sure if they just weren't aware that telling your audience you dropped out of college was an idea that needed development or if they were afraid to get too personal or detailed. But, if they want to put a sexy idea like dropping out of school in a paper, then they'd better be prepared to explain it. Just like if you're going to put a sexy cow on stage, you better be prepared to screw it. I think they were impressed. And one student used the term in the next day's writer's workshop to mean "develop your ideas," which just goes to show that Foer has a point. I need to start using this analogy earlier in the quarter....

On a marginally-related note, here is a lovely poem by Billy Collins on forgetfulness:

Lines Lost Among Trees

These are not the lines that came to me
while walking in the woods
with no pen
and nothing to write on anyway.

They are gone forever,
a handful of coins
dropped through the grate of memory,
along with the ingenious mnemonic

I devised to hold them in place-
all gone and forgotten
before I had returned to the clearing of lawn
in back of our quiet house

with its jars jammed with pens,
its notebooks and reams of blank paper,
its desk and soft lamp,
its table and the light from its windows.

So this is my elegy for them,
those six or eight exhalations,
the braided rope of syntax,
the jazz of the timing,

and the little insight at the end
wagging like the short tail
of a perfectly obedient spaniel
sitting by the door.

This is my envoy to nothing
where I say Go, little poem-
not out into the world of strangers' eyes,
but off to some airy limbo,

home to lost epics,
unremembered names,
and fugitive dreams
such as the one I had last night,

which, like a fantastic city in pencil,
erased itself
in the bright morning air
just as I was waking up.

--Billy Collins, Picnic, Lightning